Glass by Knight Stained Glass


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Commissioning Our Studio

Gallery for the Religious Setting

Gallery for the Home and Business/Random Pictures/Classes

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Repairs, Painting, Plating and other Techniques

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Perfection starts with the Studio
Repairs and Restorations
Glass Plating and Fusion
Color Meanings in Religious Stained Glass
Hand Painted Glass

The first stage is the production of the full size working drawing (cartoon). I use this drawing as a template.

The clear glass is then cut to size.

The paint in powder form is poured out onto a palette.

The gum arabic (binder) is added to the paint and mixed thoroughly

Now the (vehicle) water, alcohol, oil or
white vinegar can be added and thoroughly mixed.

Paint the highlights and details then kiln fire at
1200F degrees.

I add shading by covering the whole piece with stain,
this process is known as matting, blend the
color by using a soft badger hair brush. I then remove
areas I want lighter using a hard bristle brush called a scrub and sharp wooden sticks to bring out the finer
lines and details. I then kiln fire each layer separately.

This process is often repeated several times before the desired effects and skin tones are achieved.

After I get the desired results, I will kiln fire it
again at 1200 degrees.


The pieces are now ready to be
incorporated in the stained glass window.


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Glass by Knight Stained GlassHomeMeet the ArtistCommissioning Our StudioGallery for the Religious SettingGallery for the Home and Business/Random Pictures/ClassesRepair and Restoration GalleryRepairs, Painting, Plating and other TechniquesShop Our New On-Line StoreCustomer TestimonialsContact UsStained Glass Links